通向当代的古代诗学“正变”范畴  

Open into the Contemporary Ancient Poetic's Category of Orthodoxy and Variants

作　　者：白晶玉 胡吉星[2] Bai Jingyu;Hu Jixing

机构地区：[1]辽宁大学文学院,辽宁沈阳110036 [2]泰州学院,江苏泰州225300

出　　处：《中华文化论坛》2021年第6期13-20,152,共9页Journal of Chinese Culture

基　　金：教育部人文社会科学研究2019年一般项目“古代诗学正变范畴及当代意义研究”(项目编号:19YJA751016);泰州学院2019年文艺学优秀教学团队资助项目(项目编号:19JXTD02)阶段性成果。

摘　　要：“正变”作为存活于现当代文论中的古代诗学范畴,其“崇正抑变”的价值准则和“复古循环”的文学发展观在现当代文论中得到了充分运用。梁启超先生及“新文化运动”与“新民歌运动”的论争双方都将“正变”作为重要理论资源;“正变”对分析当代文体的“新变”现象也具有重要启示:当代文学创作要求新求变,增强艺术表现力,满足人民的审美需要;当代文学创作还应重视文学的社会作用,要做到“变而不失正”。The concept of Orthodoxy and Variants survives in ancient poetic category of the modern and contemporary literary theory.Its value criterion of"Upholding Orthodoxy but Lower Variants"and the literary developing view of"Restoring and Circulating Ancient Ways"are fully applicated in modern and contemporary literary theories.In the debate which happened between Liang Qichao and the New Culture Movement and the New Ballad Movement,both sides considered"Orthodoxy and Variants"as important theory resources.The concept of"Orthodoxy and Variants"provides important inspiration to analyzing the sign of"New Variants"in contemporary literary form:the contemporary literary creation requires to innovate,change and increase artistic expressiveness to meet people's aesthetic demand,and the contemporary literary creation also should pay attention to the social function of literary and keep the rule of having"variants without losing orthodoxy".

关 键 词：“正变” 崇正抑变 复古循环 

分 类 号：I206[文学—中国文学]