古代戏曲理论中的“虚实”观管窥  

On the Theory of Virtuality and Reality in Ancient Drama

作　　者：王韬汇 Wang Taohui(School of Literature,Fujian Normal University,Fuzhou 350007,China)

机构地区：[1]福建师范大学文学院,福建福州350007

出　　处：《黑河学院学报》2021年第10期175-177,182,共4页Journal of Heihe University

摘　　要：艺术创作中“虚实”分配的问题是创作者及理论家一直在探讨的,古代戏曲理论“虚实”观分为偏重“实”与偏重“虚”两大类,“虚”“实”两大类可再分为小类,分析各自的特点,“虚实相生”是艺术创作中最好状态。“Virtuality and reality”distribution in artistic creation is the issue that the creators and theorists have always been discussing.The theory of“virtuality and reality”in ancient drama involves laying particular emphasis on“virtuality”and on“reality”respectively,and the two categories can be further divided into sub-categories with their own characteristics;whereas,“virtuality and reality complement”is the best state in artistic creation.

关 键 词：“虚实”观 古代戏曲理论 虚实相生 

分 类 号：J82[艺术—戏剧戏曲]