胡献雅美术理论研究  

Research on Hu Xianya's Art Theory

作　　者：陈露[1] CHEN Lu(School of Fine Arts,Nanchang Normal University,Nanchang 330032,China)

机构地区：[1]南昌师范学院,江西南昌330032

出　　处：《南昌师范学院学报》2021年第5期59-65,共7页Journal of Nanchang Normal University

基　　金：江西省文化艺术科学规划项目“胡献雅美术理论与创作实践研究”,编号:YG2018072。

摘　　要：胡献雅是中国现代著名书画家,20年代求学于上海美术专科学校,30年代在南京、上海画坛享有盛誉,40年代投身江西文化抗战,新中国成立后在对中国画传统的继承与发展中形成了独具个人面貌的大泼墨大写意风格,并凝炼出形神熟玩、诗书画同理、得失俱忘等美术理论,为中国画传统的创造性转化与创新性发展开拓了新路径。Hu Xianya is a famous calligrapher and painter in modern China.He studied in Shanghai Academy of Fine Arts in the 1920s.In the 1930s,he enjoyed a high reputation in Nanjing and Shanghai art world.In the 1940s,he devoted himself to the Jiangxi Cultural War of Resistance.After the founding of the People's Republic of China,in the inheritance and development of tradition,he has formed a unique personal style of a great splash ink and freehand brushwork,and refined the art theories such as the subtlety of form and spirit,the sameness of calligraphy and painting,as well as the forgetfulness of gain and loss,thus opening up a new path for the creative transformation and innovative development of traditional Chinese painting.

关 键 词：胡献雅 中国画 美术理论 创新性 

分 类 号：J03[艺术—艺术理论]