敦煌佛教斋文文体结构的划分  

The Classification of the Stylistic Structure of Buddhist Priests Writings for Prayer Rituals in Dunhuang

作　　者：刘传启[1] LIU Chuan-qi(School of Literature and Journalism,Leshan Normal University,Leshan 614007,China)

机构地区：[1]乐山师范学院文学与新闻学院,四川乐山614000

出　　处：《西华师范大学学报（哲学社会科学版）》2021年第6期54-62,共9页Journal of China West Normal University:Philosophy & Social Sciences

基　　金：国家社科基金重大招标项目(16ZDA175);国家社科基金后期资助项目(19FZWB053);教育部人文社科研究规划基金西部和边疆地区项目(18XJAZH002)。

摘　　要：目前学界对敦煌佛教斋文的文体结构划分主要有“三分法”“四段法”“五段法”“六段法”“七段法”等五种。从敦煌斋文写本固有的文体结构划分及编撰抄写的实际情况来看,由“号头”“叹德”“斋意”“道场”“庄严”五部分组成的“五段法”和由“号头”“正文(叹德或叹德+斋意)”“号尾(斋意+道场+庄严或道场+庄严或庄严)”三部分组成的“三分法”更能概括绝大多数敦煌佛教斋文的文体结构类型。At present,the academic circles mainly divide the stylistic structure of Buddhist priests writings for prayer rituals in Dunhuang into five categories,namely“hree-section method”,“four-section method”,“five-section method”,“six-section method”and“seven-section method”.Judging from the inherent stylistic structure division of Buddhist priests writings for prayer rituals in Dunhuang and the actual situation of compilation and transcription,the“five-section method”consists of five parts:“the begging of Buddhist priests writings for prayer rituals”,“highly praising the virtue”,“the meaning of Buddhist priests writings for prayer rituals”,“Buddhist rites”and“solemen”and the“three-section method”consists of three parts:“the begging of Buddhist priests writings for prayer rituals”,“the main body of the writings”and“the ending of Buddhist priests writings for prayer rituals”.The“five-section method”and the“three-section method”can better generalize most of the stylistic structure types of Buddhist priests writings for prayer rituals in Dunhuang.

关 键 词：敦煌 斋文 文体结构 

分 类 号：K870.6[历史地理—考古学及博物馆学]