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作 者:王泽龙[1] Wang Zelong
机构地区:[1]华中师范大学文学院、诗歌研究中心,武汉430079
出 处:《中国文学批评》2021年第4期73-80,157,共9页Chinese Journal of Literary Criticism
基 金:国家社会科学基金重大项目“中国新诗传播接受文献集成、研究及数据库建设(1917-1949)”(16ZDA240)阶段性成果。
摘 要:新诗语言诗学是新文学传统的重要内容,是中国新诗百余年间变革与建设的重要资源。其诗学传统主要体现为三个方面。一是言之有物的真诗品格,主张用现代白话表达情感与思想的真实,与凸显格律声韵要求的文辞雕琢藻饰的诗歌传统形成鲜明区别。二是言文合一的现代语态,直接突破了诗歌格律的僵化界限,开放了思想,解放了诗体,创新了现代诗歌。三是言意协调的自由诗体,直接促进了注重句子关系与诗歌语义关系的自由诗体的形成。现代白话与现代自由诗体的有机结合,是语言与诗体互恰性转变为语言与诗体互融性的有效机制与途径。Significance in new literary tradition,poetics of new poetry’s language has been the vital resource for the reform and construction of Chinese new poetry over the past century.Its poetic tradition mainly reflects in three aspects:first,the character of truth in poem with words having their substantive meanings.It advocates modern vernacular to express the truth of emotion and thoughts,making a distinct difference to the tradition of poetry of embellishing prose,focusing on metre and rhyme(Ge LüSheng Yun);second,the unification of the written and spoken language of modern tone has directly broken through the rigid limits of rhythm in poetry,open the mind and form of poem,and innovated modern poetry;third,open-form of poetry integrating in poetic language and meaning,has stimulated the formation of free verse,paying attention to sentence relation and semantic relation of poetry.Organic combination of modern vernacular and free verse is an effective mechanism and approach,transforming mutually consistent language and form of poetry to the mutual compatibility.
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