论张尔田的词学  

On Zhang Ertian’s study of Ci

作　　者：张耀宗 ZHANG Yaozong(Nanjing Xiaozhuang University,Nanjing 211171,P.R.China)

机构地区：[1]南京晓庄学院文学院,江苏南京211171

出　　处：《重庆大学学报（社会科学版）》2021年第6期145-152,共8页Journal of Chongqing University(Social Science Edition)

摘　　要：张尔田的词学是近现代词学史的重要组成部分。他的文化身份既有遗民的成分,但是也受到晚清新学以及时代新风气的影响,使得他思考问题的方式具有旧文人所不具备的特点。张尔田身上的文化张力也影响到了他的词学观。一方面体现在他将词学当作文学一部分来思考的时候用真善美作为整个文学观的理论基础的同时,坚持着比兴寄托的传统;另一方面体现在他对于文学公共性的思考,在写作上他讨论了词与情感的关系,在阅读上强调考证的作用,这中间充满了复杂的矛盾甚至混乱。这些矛盾和混乱是新旧过渡时代人物的特点,是那个时代的思想底层的深刻表征。Zhang Ertian’s study of Ci(lyric poetry) has been a significant chapter in the history of modern study of Ci in China. His cultural identity is composed of loyalist elements as well as influences from late Qing new learning and inclinations to follow new trends of his contemporary age, which makes his way of thinking distinct from those old types of Chinese literati. The tension between the old and the new is manifested in his views of Ci as well. On the one hand, when he uses the true, the good, and the beautiful as the framework to conceptualize literature, while taking Ci writing as a kind of literary writing, he also holds the traditional Chinese poetics of allegory in metaphorical comparison, affective image and entrusting meaning to the words, that is, Bi, Xing, and Jituo. On the other hand, when, in his thinking on literature at its function in establishing a social public sphere, he discusses how Ci is closely related to authorial feeling in the act of writing, and emphasizes the role of evidential learning in interpretive reading, in which one can detect many places of ambiguities and vagueness. An observation of Zhang Ertian’s views of Ci reveals a literary figure in the transition between tradition and modernity, and suggests an intellectual landscape of his age.

关 键 词：张尔田 晚清词学 文学公共性 比兴寄托 

分 类 号：I209[文学—中国文学]