唐代藉田礼仪演变与书写范式  

The Etiquette Evolution and Writing Paradigm of Tang Dynasty JiTian's Etiquette

作　　者：王聪 WANG Cong

机构地区：[1]中华女子学院文化传播学院

出　　处：《北京社会科学》2021年第12期34-42,共9页Social Sciences of Beijing

基　　金：国家社会科学基金重大项目(18ZDZ237)——中国古代都城文化与古代文学及相关文献研究。

摘　　要：藉田礼发展到唐代,已经形成相对固定的礼仪规范,同时太宗、玄宗、肃宗等在方位、地点、流程方面对之进行了灵活的调整,呈现出皇权凌驾于礼仪之上的倾向。与之相应的藉田书写,侧重点也不在于礼仪本身,而在于沟通政治情感,既传达赞美圣君追慕盛世的执政理想,又呈现出君臣交流体贴人情的现实关怀,同时也表达藉田不行于世不被重用的失落蹉跎。这就使得唐代藉田书写不同于《诗经》、汉赋,呈现出礼仪应用文本的特点,形成了藉田祭祀乐歌的礼仪范式、藉田科场赋颂的结构范式、藉田题材意象的表达范式。这些范式的生成象征着藉田礼仪文本的成熟,在颂美国家仪典、寄托文人政治情感的基础上,推动着文以载仪功用的实现。Since JiTian etiquette developed to the Tang Dynasty,relatively fixed etiquette norms have been formed.At the same time,Taizong,Xuanzong,Suzong and others made flexible adjustments to it in terms of position,location and process,showing the tendency of imperial power to override etiquette.Correspondingly,JiTian's writing focuses not on etiquette itself,but for the purpose of political and emotional communication.It not only conveys the ruling ideals of praising the emperor and admiring the prosperity of the world,but also presents the considerate and realistic care in the exchanges between the emperor and the minister.At the same time,there is also the loss of the field that cannot be used in the world and will not be reused.This makes the writing of JiTian in the Tang Dynasty different from the Book of Songs and Han Fu,presenting the characteristics of ritual application texts,forming the ritual paradigm of JiTian's sacrificial music and songs,the structural paradigm of JiTian's odes,and the expression paradigm of JiTian's theme and imagery.The generation of these paradigms symbolizes the maturity of JiTian etiquette texts.While eulogizing ceremonies and entrusting the literati's political emotions,it promotes the realization of the function of literary ceremonies.

关 键 词：藉田 礼仪 书写 范式 

分 类 号：I206.2[文学—中国文学]