皖西临淮泥塑的文化内涵研究  

A Study on the Cultural Connotation of Linhuai Clay Sculptures in West Anhui

作　　者：熊辉[1] XIONG Hui(School of Culture and Communication,West Anhui University,Lu’an 237012,Anhui)

机构地区：[1]皖西学院文化与传媒学院,安徽六安237012

出　　处：《阜阳师范大学学报（社会科学版）》2021年第6期24-29,共6页Journal of Fuyang Normal University：Social Science

基　　金：安徽省哲学社会科学规划青年项目“乡村振兴背景下皖西乡村非遗文化传播研究”(AHSKQ2019D101)。

摘　　要：皖西临淮泥塑是淮河中游临淮岗乡的一项民间手工艺,它在淮河文化的孕育下传承发展至今。临淮泥塑纯然、乡土的物性特征和稚拙、实用的视觉形态特征构成了其独特的物质文化内涵。作为淮河地方性知识的临淮泥塑以治淮精神、关照民情与乡村社会生活经验的记忆为主题构成了它的精神文化内涵。通过对乡村社会生活经验的仪式化建构,丰富了临淮泥塑的物质文化与精神文化内涵,并为发展皖西乡村文化振兴提供本土优质文化资源与必要的启示。The Linhuai clay sculpture in the west of Anhui Province is a folk handicraft in Linhuaigang Township in the middle reaches of the Huaihe River.It has been inherited and developed under the culture of Huaihe River.Linhuai clay sculptures are innocent,the physical characteristics of the local soil and the naive and practical visual form characteristics constitute its unique material and cultural connotation.As the local knowledge of the Huaihe River,the Linhuai clay sculpture constitutes its spiritual and cultural connotation with the theme of governing the Huaihe River,caring for the people's sentiments and the memory of rural social life experience.The ritual construction of rural social life experience enriches the material and spiritual cultural connotations of Linhuai clay sculptures,and provides local high-quality cultural resources and necessary enlightenment for the development of rural cultural revitalization in Western Anhui.

关 键 词：皖西临淮泥塑 淮河文化 仪式化 乡村社会 

分 类 号：G122[文化科学]