跨文化传播视角下纪录片叙事的文化自觉  被引量:1

Cultural Consciousness of Documentary Narrative From the Perspective of Cross-cultural Communication

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作  者:孙翔 亚然然 SUN Xiang;YA Ran-ran(School of Journalism&Communication,Anhui Normal University,Wuhu 241002,Anhui)

机构地区:[1]安徽师范大学新闻与传播学院,安徽芜湖241002

出  处:《阜阳师范大学学报(社会科学版)》2021年第6期46-51,共6页Journal of Fuyang Normal University:Social Science

基  金:安徽省哲学社会科学规划项目“乡村振兴背景下金寨老区‘四新’形象的视觉传播研究”(AHSKY2020D102)。

摘  要:文化自觉的概念是由费孝通先生提出,其核心理念可表述为“各美其美、美人之美、美美与共、天下大同”。央视纪录片频道播出的纪录片《天下徽商》,在叙事中融入文化自觉意识,有效地阐释了徽州文化,为跨文化传播环境中纪录片叙事带来一定启示意义。该片叙事中文化自觉意识的逻辑架构主要在于纪录片制作者与传统文化之间的文化自觉以及纪录片与受众之间的文化自觉两方面。在片中具体应用体现为:文化寻根为母题的叙事核心,流动时空中的叙事文化,以情为媒的叙事语言。Mr.Fei Xiaotong has put forward the concept of cultural consciousness as“People should know how to appreciate the beauty created by themselves,but also be tolerant to appreciate the beauty created by others,so as to combine their own beauty and the beauty of others together to realize the ideal of unity of beauty”.The documentary The World of Huizhou Merchants broadcast by CCTV documentary channel integrates cultural consciousness into narration,explains Huizhou culture,and brings enlightenment significance to documentary narration in cross-cultural communication environment.The logical framework of cultural consciousness mainly finds expression in two aspects as the cultural consciousness between documentary makers and traditional culture and the cultural consciousness between documentary and audience.The specific application is reflected as follows,cultural root search is the narrative core of the motif,narrative culture in flowing time and space and narrative language based on love.

关 键 词:徽州 天下徽商 文化自觉 跨文化传播 

分 类 号:J905[艺术—电影电视艺术]

 

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