湖南花鼓戏剧种文化形态和社会功能的当代呈现  

Contemporary Presentation of Cultural Form and Social Function of Hunan Flower Drum Opera

作　　者：刘新敖 周婉怡 周勇[3] LIU Xin’ao;ZHOU Wanyi;ZHOU Yong(College of Liberal Arts,Changsha Normal University,Changsha,Hunan 410100,China;College of Music,Hunan University of Technology and Business,Changsha,Hunan 410205,China;School of Art,Hunan City University,Yiyang,Hunan 413000,China)

机构地区：[1]长沙师范学院文学院,长沙410100 [2]湖南工商大学音乐学院,长沙410205 [3]湖南城市学院艺术学院,湖南益阳413000

出　　处：《城市学刊》2021年第6期66-71,共6页Journal of Urban Studies

基　　金：湖南省哲学社会科学基金项目(17YBA068)。

摘　　要：湖南花鼓戏的剧种文化形态和社会功能,具有典型的地域文化特征,并以湖南本土的民间文化为根基来呈现。由于受经济方式和文化传承等诸多因素影响,花鼓戏剧种文化形态和社会功能一度遭遇危机。新时代文化强国战略提出后,花鼓戏等民间戏曲焕发新生,其艺术特色得以传承和创新,并呈现出融合不同艺术风格的态势,其剧种的文化形态与社会功能也在戏曲语言、剧目创作、发展模式以及审美价值等要素之中,向浓缩并展示湖湘文化乃至展现社会主义核心价值的高级形态过渡。The cultural form and social function of Hunan Flower Drum Opera have typical regional cultural characteristics,and are based on Hunan local folk culture.In the process of historical development,influenced by many factors such as economic mode and cultural inheritance,Hunan Flower Drum Opera once suffered a crisis in its cultural form and social function.With the proposal of the Strategy Principle of cultural Power in the new era,folk operas such as Hunan Flower Drum Opera are rejuvenated,and their artistic characteristics have been inherited and innovated,showing a trend of integrating different artistic styles.The cultural form and social function of its operas are also prominently reflected in the opera language,drama creation,development mode and aesthetic value,etc.,and in transition to the high-level form of condensing and displaying Huxiang culture and even displaying socialist core values.

关 键 词：湖南花鼓戏 文化形态 社会功能 审美价值 

分 类 号：J617.5[艺术—音乐]