“老先生们”——从北向南,从幽暗到光明幸福的电影式文化遗产类展览的原则  

“Les Patrons”:Principles of Cultural Heritage Exhibitions Like Films from North to South and From Darkness to Light and Happiness

作　　者： 徐立青(译者) 徐佩旎(校) 金嵘嵘(校) Philippe Cinquini

机构地区：[1]法国高等院校考古学与艺术史教授协会 [2]不详

出　　处：《美术》2021年第12期127-133,共7页Art Magazine

摘　　要："老先生们"展览通过重塑画室和沙龙独有的氛围,重现19世纪末法国艺术家的私人会客厅、巴黎的露天咖啡馆等一系列元素,分析20世纪上半叶法国大师们的作品和成就,并论述他们与中国美术留学生之间的关系及对其艺术影响。同时,就如何将展览主题如同戏剧一般在观众面前演绎出来,平衡展览的学术性和趣味性,以及如何让观众在展览中获得沉浸感等问题,是该展览与本文所要解决和阐述的。By reshaping unique atmospheres of studios and saloons,the exhibition“Les Patrons”reproduced a series of elements such as private lounges of French artists and outdoor cafes in Paris in the late 19 th century,analyzed the works and achievements of French masters in the first half of the 20 th century,and discussed their relations with overseas fine art students from China and artistic influences on the latter.Meanwhile,the exhibition and this paper aimed to address and elaborate how to interpret an exhibition theme like a drama to the audience,balance academic and interesting characteristics of an exhibition,and let the audience gain an experience of immersion in the exhibition.

关 键 词：老先生们 电影式展览 文化遗产 法国艺术 中国留学生 

分 类 号：J209[艺术—美术]