理论渊源与创作催发:日本因素对于“七月诗派”的影响  

Theoretical Origins and Creative Prompts:The Influence of Japanese Factors on the“July Poetry School”

作　　者：罗振亚[1] LUO Zhen-ya

机构地区：[1]南开大学文学院,天津300071

出　　处：《求是学刊》2021年第6期153-163,共11页Seeking Truth

基　　金：国家社科基金一般项目“中国新诗建构与日本影响因素关联研究”(15BZW136)。

摘　　要：“七月诗派”领袖胡风深受厨川白村的“精神的伤害”观、青野季吉的“目的意识论”和秋田雨雀的“主观战斗精神”说熏陶,将文艺与生活、精神与意志支撑、主观与客观相统一创作原则等观念,渗透于《七月》等刊物的编辑过程和自身诗学体系构建,影响了“七月诗派”激越、奔放、崇高风格的塑造;作为“他者”的日本对中国侵略的同时,也催发了“七月诗派”浓郁的民族情绪,使其创作指向“民族国家”形象与话语的建构;“七月诗派”的抒情获得了明确的目标与背景,审美格调随之愈加宏大悲壮。HU Feng,the leader of the“July Poetry School”,was deeply influenced by the“spiritual harm”concept of Kuriyagawa Hakuson,the“purpose consciousness theory”of Aono Suekichi,and the“subjective fighting spirit”of Akita Ujaku.His concepts of literature and life,spiritual and volitional support and the principle of unity between subjective and objective creation permeated the editorial process of July and other publications and the construction of his poetic system,which influenced the shaping of the radical,spirited,and sublime style of“July Poetry School”.Japan as“the other”invaded China and also gave rise to a strong national sentiment in July poetry,which led to the construction of the image and discourse of the“nation-state”.The lyricism of the“July Poetry School”was given a clear goal and background,and the aesthetic tone became more and more grand and mournful.

关 键 词：七月诗派 胡风 日本文艺理论 民族国家 

分 类 号：I207.25[文学—中国文学]