跨文化接触中的转型与认同——以南诏时期“熔鼓铸圣”图像和“展衣夺土”传说为例  

Transformation and Identity in the Intercultural Contact:Taking Examples of the Image of“Melting Bronze Drum to Cast Figures”and the Legend of“Spreading Clothes to Occupy Other’s Land”in the Nanzhao Period

作　　者：邓启耀 Deng Qiyao(the Research Centre of Visual Culture,Guangzhou Academy of Fine Arts,Guangzhou,Guangdong,510006)

机构地区：[1]广州美术学院视觉文化研究中心,广东广州510006

出　　处：《民族艺术研究》2021年第6期56-65,共10页Ethnic Art Studies

基　　金：2020年度国家社会科学基金艺术学重大项目“多民族艺术交融与中华民族认同研究”(项目批准号:20ZD27)的阶段性研究成果。

摘　　要：在《南诏中兴画传》中,梵僧施术幻化慑服众人,诱使他们将部落神器、祖传的铜鼓熔铸为圣像。地方社会在异文化冲击下,产生对抗、融合和变异。从变服从俗的在地化适应,到熔鼓铸圣的文化突变与展衣夺土的社会转型,《南诏中兴画传》及相关传说,折光地反映了一个时代意识形态与文化精神的微妙变化。通过铜鼓、圣像及民间传说这类艺术象征物和口传文化,传递出多民族地区在与异文化产生接触的过程中,如何自我调适,进行文化认同的信息。In the Drawing History of the Nanzhao Kingdom,Buddhist monk controlled the public by their magic arts,seducing them melting their sacred instruments and inherited bronze drums to cast sacred figures.Local society,under the impact of the exotic culture,is likely to confront,integrate and change.From the change of clothes to follow the locals in the process of localization,to the dramatic cultural change of melting the bronze drums to cast figures and the social transformation of spreading clothes to occupy other’s land,Drawing History of the Nanzhao Kingdom and related legends reflect nuanced changes of the ideology and cultural spirit of an era.Information of self-adjustment and cultural identity building therefore can be found in the process where multiethnic areas contacted with exotic culture,through examining artistic symbols of bronzes,sacred figures and folk legends and oral culture.

关 键 词：跨文化接触 转型 变异 文化认同 

分 类 号：J19[艺术—艺术理论]