乔托作品中的天使形象研究  

On the Angel Image in Giotto's Paintings

作　　者：张景瑶 Zhang Jingyao(Beihang University Beijing 100191,China)

机构地区：[1]北京航空航天大学,北京100191

出　　处：《艺术与设计（理论版）》2021年第12期118-120,共3页Art and Design

摘　　要：乔托·迪·本多内(Giotto di Bondone,1266-1337)是文艺复兴时期伟大的艺术先驱,是让绘画脱离神性回归人性的人文主义先锋。乔托作品中的天使形象受到时代文化背景、绘画技法和思想观念等因素的影响,呈现出色彩丰富、情感饱满、动感强烈的视觉特点,具有引导观者视线、协调画面构图和烘托画面氛围的重要作用,乔托还极具创造性地运用笔触长短、方向和形状来营造天使形象虚实相生的视觉动感,从绘画技法上看具有跨时代的重要研究价值。Giotto di Bondone(1266-1337)is a great artistic pioneer of the Renaissance and a humanist pioneer who made painting break away from divinity and return to humanity.The angel image in Giotto's works is influenced by the cultural background of the times,painting techniques and ideas.It presents the visual characteristics of rich color,full emotion and strong movement.It plays an important role in guiding the viewer's line of sight,coordinating the composition of the picture and setting off the atmosphere of the picture.Giotto also creatively uses the length,direction and shape of strokes to create the virtual and real image of the angel From the perspective of painting techniques,the mutual visual movement has important research value across the times.

关 键 词：乔托 天使形象 视觉动感 笔触 

分 类 号：J05[艺术—艺术理论]