民间叙事、政治隐喻和集体话语——对“十七年”时期彩调剧《刘三姐》文本创改过程的考察  

Folk Narrative Political Metaphor and Collective Discourse:A Case Study of the Text Creation and Modification of Caidiao playLiu Sanjie during the"Seventeen Years"Period

作　　者：廖夏璇 LIAO Xiaxuan

机构地区：[1]华东师范大学中国语言文学系

出　　处：《戏剧艺术》2021年第6期13-28,共16页Theatre Arts

基　　金：国家社科基金艺术学重大项目“戏曲现代戏创作研究”(项目编号:18ZD05);国家哲学社会科学基金重大项目“杂剧古今演变史及历代杂剧文献汇释”(项目编号:19ZDA259)的阶段性成果。

摘　　要："十七年"时期,柳州市彩调剧《刘三姐》文本七易其稿,确立了以"禁歌"与"反禁歌"寄寓阶级斗争的革命主题,完成了刘三姐从民间传说的"歌仙"向阶级斗争英雄的身份转化,其创改过程较清晰地反映了新中国成立后革命话语对民间话语的"渗透"。柳州市《刘三姐》创作组采用"党、专、群"结合的集体创作方法,以"文化干部进行指导、新文艺工作者作为主力、老艺人配合、各方群众代表参与讨论"的创作模式,打破了经典生成必须依靠成熟作家才能实现的迷信,掀起了一场以《刘三姐》编演活动为中心的群众文艺运动,为歌舞剧《刘三姐》、电影《刘三姐》的创作提供了坚实的文本基础。During the"Seventeen Years"period in Liuzhou city,the text of Caidiao play,Liu Sanjie,was modified for seven times.Its revolutionary theme of class struggle was finally achieved with the metaphors of"forbidden songs"and"anti-forbidden songs";through this process,Liu Sanjie was successfully transformed from"the goddess of singing"in folklore to a hero of class struggle.The process of creation and modification clearly reflected the"penetration"of revolutionary discourse into folk discourse after the establishment of the People’s Republic of China.The creative team of Liu Sanjie in Liuzhou adopted a collective method where"the party,specialists and people"joined hands-"the culture officials guided,new literary and art workers created,senior artists cooperated,and representatives from different groups participated in discussions."This mode broke the conventional belief that classics could only be created by skillful writers.Such a creation set off a mass literary movement centered on the adaptation and performance of Liu Sanjie,and provided a solid textual basis for the creation of musicals and films under the same title.

关 键 词：彩调剧 刘三姐 文本创改 民间叙事 政治隐喻 集体创作 

分 类 号：J80[艺术—戏剧戏曲]