张承志小说的“诗意清洁”——“以洁为美”的濯净审美世界的筑造  

Poetic Cleanliness"in Zhang Chengzhi's Novels—The Construction of the Net Aesthetic World with"Cleanliness as the Beauty

作　　者：黄思颖 HUANG Siying(College of Literature,Nankai University,Tianjin,300110,China)

机构地区：[1]南开大学文学院,天津300110

出　　处：《西安石油大学学报（社会科学版）》2021年第6期106-112,共7页Journal of Xi’an Shiyou University:Social Science Edition

摘　　要：在张承志文学抒写的整体精神建构中,始终把“清洁”作为一种崇高的价值追求,贯穿在他的全部文学实践中,并已上升到信仰的高度。“清洁”的基本词意具有“清白”“洁净无尘”“廉洁”“清爽”的含义,然而,在张承志的文学话语里,“清洁”指向的是“以洁为美”“视洁如命”的濯净审美世界的筑造,特别是表现在他的“诗性”小说叙事中,“诗意清洁”显得尤为醒目。通过文本细读,从“自然”民间的诗意栖息地、诗性言说与主体灵犀的融通、唯我独尊的孤独审美行者等三个向度审视张承志小说的“诗意清洁”。In the construction of the overall spirit of Zhang Chengzhi's literature,"cleanliness"has been regarded as the lofty value pursuit,which has run through his whole literature practice,and has gone up to the height of faith.The basic word meaning of"cleanness"has the connotations of pureness,cleanness without dusts,honesty,and refreshing,but in Zhang's literature discourse,"cleanness"points to the construction of the net aesthetic world such as"cleanliness as the beauty"and"Clean as the life",especially in his"poetic"novel narrative,"poetic cleanliness"is particularly striking.Through the careful reading of the text,this thesis attempts to examine the poetic cleanness of Zhang Chengzhi's novels from such three dimensions as"natural"folk poetic habitat,poetic speech and subject consonance,and lone aesthetic traveler who is the only one of us.

关 键 词：张承志 诗性 审美 诗意清洁 以洁为美 

分 类 号：I247.7[文学—中国文学]