上海时期鲁迅与苏联电影的“不了情”——兼谈鲁迅的苏联观  

"Unrequited Love" Between LU Xun and Soviet Films in Shanghai Priode——on LU Xun’s Vewofthe Sviet Uionion

作　　者：禹权恒[1] YU Quanheng(College of Liberal Arts,Xinyang Normal University,Xinyang 464000,China)

机构地区：[1]信阳师范学院文学院,河南信阳464000

出　　处：《信阳师范学院学报（哲学社会科学版）》2022年第1期130-134,140,共6页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金项目(17BZW152);河南省高校青年骨干教师培养计划(2019GGJS156);河南高校科技创新人才(人文社科类)支持计划(2021-CX-012);信阳师范学院南湖学者青年资助项目。

摘　　要：上海时期鲁迅对苏联电影怀有特殊情感,尤其偏爱革命战争、社会建设、探险纪录等题材类型。作为一种视觉艺术形式,鲁迅认为苏联电影不仅能够透视苏联无产阶级革命和社会建设的真实状况,而且对中国左翼电影发展具有借鉴作用。但是,鲁迅毕竟没有实地考察过苏联,仅仅凭借着苏联电影勾勒的部分图景来想象苏联,中间肯定存在着误读成分,鲁迅的"洞见"和"不见"在苏联观上得到有效体现。LU Xun had a special affection for Soviet films in Shanghai, especially for the themes of war and revolution, social construction and adventure records. As a form of visual art, LU Xun believed that Soviet films did not only shed light on the true state of Soviet proletarian internationalism and social construction, but also played an important role in the development of Chinese left wing films. After all, LU Xun didn’t visit the Soviet Union on the spot, and there must have been some misreading in imagining the Soviet Union based only on the partial picture sketched in the Soviet films. LU Xun’s view of "insight" and "absence" was effectively embodied in his Soviet outlook.

关 键 词：上海时期 鲁迅 苏联电影 误读 

分 类 号：I206.6[文学—中国文学]