曾国藩对归有光散文的接受与批评  

Zeng Guofan’s Acceptance and Criticism of Gui Youguang’s Prose

作　　者：金珂 潘链钰[1] JIN Ke;PAN Lianyu(School of Liberal Arts, Hunan Normal University, Changsha 410081, China)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《湖南人文科技学院学报》2021年第1期22-25,共4页Journal of Hunan University of Humanities,Science and Technology

基　　金：湖南省社科评审委员会课题“中国经学与诗学关系特征研究”(XSP19YBZ201)。

摘　　要：曾国藩是晚清一名古文大家,其论古文不仅讲求气势雄奇,须得瑰玮飞腾之气驭之以行,还强调复归自然,有风尘中似嚼冰雪之态。从曾国藩《日记》《家书》《文集》之中可以发现,曾国藩对归有光散文提出了十分中肯的评价,一方面赞扬其散文古雅清洁,浑灏流转的风格,另一方面认为归文奇趣不足,且散文的内涵、题材等都过于狭小。从对归有光散文的批评中,我们既可以从侧面晓悟曾国藩的古文理论,也可以对归有光的散文有更加细致深入的了解。Zeng Guofan was a master of ancient writing in the late Qing Dynasty.On his ancient writing,he not only stressed the importance of imposing grand momentum,but also stressed the return to nature.It can be found from Zeng Guofan’s Diaries,Letters to the Family and Anthology that he put forward a very accurate evaluation of Gui Youguang’s prose.On the one hand,Zeng Guofan praised Gui Youguang’s prose for its elegance and cleanliness,and his style of being magnificent and moving.On the other hand,Zeng Guofan thought that Gui Youguang’s prose was not interesting enough and the content,subject matter and other aspects of his prose were too narrow.From the criticism,we can not only understand Zeng Guofan’s ancient prose theory,but also have a more detailed and in-depth understanding of Gui Youguang’s prose.

关 键 词：曾国藩 归有光 文学接受 文学批评 

分 类 号：I206.09[文学—中国文学]