《古诗十九首》思妇形象与东汉末年士人心态探析  

An analysis of lovesick wife image in Nineteen Ancient Poems and the mentality of scholars in the late Eastern Han Dynasty

作　　者：胡悦 HU Yue(Minnan Cultural Research Institute,Minnan Normal University,Zhangzhou,Fujian,363000,China)

机构地区：[1]闽南师范大学闽南文化研究院,福建漳州363000

出　　处：《闽西职业技术学院学报》2021年第4期45-49,共5页Journal of Minxi Vocational and Technical College

摘　　要：《古诗十九首》主要为游子之歌和思妇之词。《古诗十九首》中的思妇追求忠贞不渝的美好爱情,在社会动荡、时序更迭和人世离别的境遇中思考自我的人生价值。《古诗十九首》为“男子作闺音”的创作,士人塑造的思妇形象实际上是自我心灵的写照,体现士人在东汉末年乱世背景下爱情心态的变化以及个体生命意识的觉醒。Nineteen Ancient Poems are mainly about songs of wanderers and words of lovesick wives.The lovesick wives in these poems pursue the faithful love and sprout the thinking of their own life value in the social turbulence,time sequence change and human departure.As Nineteen Ancient Poems was written by men in women’s voices,the images of lovesick wives created by the scholars are actually the portrayal of their own soul,which reflects the change of their love mentality and the awakening of their own life consciousness under the background of chaotic times in the late Han Dynasty.

关 键 词：《古诗十九首》 思妇 东汉末年 士人 

分 类 号：I207.227.342[文学—中国文学]