闺秀诗话所见之女性文学观念  

On the Concept of Women’s Literature Seen in Girls’ Poetry

作　　者：吴国庆 张丽华[2] Wu Guoqing;Zhang Lihua(No.4 Middle School of Hohhot,Hohhot,Inner Mongolia,010000;Inner Mongolia Normal University,Hohhot,Inner Mongolia,010022)

机构地区：[1]呼和浩特市第四中学,内蒙古呼和浩特010000 [2]内蒙古师范大学文学院,内蒙古呼和浩特010022

出　　处：《语文学刊》2021年第6期77-82,共6页Journal of Language and Literature Studies

基　　金：教育部人文社会科学一般项目“清代闺秀诗话研究”(14YJC751050)阶段性成果。

摘　　要：明清两代,闺秀诗话在女性文学繁荣的背景下产生发展起来。虽然闺秀诗话“论诗及事”的特点较为突出,但作为一种诗学批评形式,它与其他诗话一样会“论诗及辞”。考察现存主要的闺秀诗话作品可知,明清以来对女性诗歌的批评显现出几个突出的倾向:强调“只求性情”的诗本观,赞誉闺中之“别调”,以“清”为女性诗歌核心的审美范畴。In the Ming and Qing Dynasties,girlish poetry developed under the background of the prosperity of female literature.Although the characteristics of“talking about poetry and things”are more prominent,as a form of poetic criticism,it can“talk about poetry and Ci”like other poetry.By investigating the existing main female poetry works,we can see that the criticism of female poetry since the Ming and Qing Dynasties has shown several prominent tendencies:emphasizing the poetic view of“only seeking sex”,praising the“different style”in the boudoir,and taking Fresh as the aesthetic category of the core of female poetry.

关 键 词：闺秀诗话 女性文学批评 性情 别调 清 

分 类 号：I206.2[文学—中国文学]