中国审美设计的意匠法式研究  

Study on the artistic method of Chinese aesthetic design

作　　者：陆姗姗[1] LU Shanshan(School of Media and Art,Nanjing University of Posts and Telecommunications,Nanjing 210023,China)

机构地区：[1]南京邮电大学传媒与艺术学院,江苏南京210023

出　　处：《南京邮电大学学报（社会科学版）》2021年第6期66-73,共8页Journal of Nanjing University of Posts and Telecommunications(Social Science Edition)

基　　金：江苏省高校哲学社会科学研究基金项目“民国广告中的女性形象设计与民族文化价值”(2020SJA0105)。

摘　　要：官作器物、文人器物、民具三者的工匠技艺、结构形式、审美标准等并无“等价关系”。三者时常分离时常交和,显示出中国传统造物一脉相承的主线。通过廓清三者关系、梳理其延承脉络,提出中国审美“意匠法式”六则,以揭示中国传统造物设计的文化意义。There is no“equivalent relationship”among material possession,craftsmanship,structural form,functional decoration,and practical aesthetics of the three creations of official works,literati artifacts and civilian tools.The three are often separated and mixed,showing the main line of traditional Chinese creation.By clarifying the relationship between the three and combing the context of their inheritance,this paper puts forward the“six rules of artistic craftsmanship”in Chinese aesthetics,so as to reveal the cultural significance of Chinese traditional creation design.

关 键 词：审美设计 意匠法式 审美趣味 文化传承 民间艺术 

分 类 号：J01[艺术—艺术理论] J045