《舞姬》与《伤逝》悲剧的文化成因研究  

A study of the Cultural Causes of the Tragedies of Dancing Girl and Sorrow for the Past

作　　者：肖芷玥 XIAO Zhi-yue(School of Foreign Languages,Northeastern University,Shenyang,Liaoning,China 110001)

机构地区：[1]东北大学外国语学院,辽宁沈阳110001

出　　处：《湖南邮电职业技术学院学报》2021年第4期119-122,共4页Journal of Hunan Post and Telecommunication College

摘　　要：明治维新时期的日本和新文化运动时期的中国,都存在东西方文化碰撞与融合的现象。这种碰撞与融合有力地推动了思想进步和社会发展,但也产生了诸如社会焦虑等现象。通过比较,研究了《舞姬》和《伤逝》悲剧的文化成因,即东西方文化碰撞与融合引起的"焦虑"和特定社会环境下人物的心理归因。森鸥外和鲁迅均试图通过爱情悲剧展现封建文化对人的迫害,新思想、新文化崛起的艰难,以及作者对当时社会的反思。Both in Japan during the Meiji Restoration and China during the New Culture Movement, there were collide and merge of Eastern and Western cultures. While this has contributed to the advancement of ideas and social development, it has also had the inevitable side effect of creating social anxiety. This essay examines the cultural contributor to the tragedies of Dancing Girl and Sorrow for the Past from a comparative cultural perspective. The three contributors are listed as the clash of Eastern and Western thoughts, the differences in personality structure and the differences in psychology. Through the tragedy of love, Mori Ogai and Lu Xun tried to show feudal culture’s persecution of people, the difficulty of the rise of new ideas and new culture, and the author’s reflection on the society at that time.

关 键 词：《伤逝》 《舞姬》 比较文化 文化碰撞 心理归因 

分 类 号：I106.4[文学—世界文学]