康德的崇高理论在当代娱乐活动审美中的积极作用探究  

Kant's Lofty Theory Explores the Positive Role in the Aesthetic of Contemporary Entertainment

作　　者：张黄惠美 Zhang-Huang Huimei(Wuhan University of Technology,Wuhan 430070,China)

机构地区：[1]武汉理工大学,武汉430070

出　　处：《艺术与设计（理论版）》2022年第1期25-26,共2页Art and Design

摘　　要：当代娱乐行业是艺术行业世俗化和商业化的派生行业,近年来出现审美倾向不断歪曲的问题。康德美学中的崇高理论提出了一个不同于优美的美学领域,而这一概念常常被用在美学教育活动中。崇高范畴在当代美学教育的缺失和娱乐行业整体混乱的情况下能够起到良好的规范作用和标杆作用,能够给当代娱乐带来积极的影响。Contemporary entertainment industry is a derived industry of secularization and commercialization of the art industry,and in recent years,the aesthetic tendency has been distorted.The lofty theory in Kant's aesthetics presents a different field of aesthetics than beautiful ones,and this concept is often used in aesthetic education activities.Sublime category can play a good normative role and benchmark role in the absence of contemporary aesthetic education and the overall confusion of the entertainment industry,and can bring positive influence to contemporary entertainment.

关 键 词：康德 崇高 娱乐 积极作用 

分 类 号：J022[艺术—艺术理论]