人工智能艺术的审美思辨:谈艺术创作中“计算”限度  

Aesthetic Reflection on Artificial Intelligence Art:Research on Computational Limits in Artistic Creation

作　　者：韩海燕 方兴[1] Han Haiyan;Fang Xing(School of Art and Design,Wuhan University of Technology,Wuhan 430070,China;International Design Art College of Inner Mongolia Normal University,Hohhot 010022,China;Design and Social Innovation Research Base of Inner Mongolia Normal University,Hohhot 010020,China)

机构地区：[1]武汉理工大学艺术与设计学院,武汉430070 [2]内蒙古师范大学国际设计艺术学院,呼扣浩特010022 [3]内蒙古师范大学设计与社会创新研究基地,呼和浩特010020

出　　处：《艺术与设计（理论版）》2022年第1期60-62,共3页Art and Design

基　　金：内蒙古科学计划关键技术攻关项目,内蒙古民族传统服饰智能展示系统设计与实现(2021GG0184);内蒙古社会科学研究重点项目,数字化背景下文化遗产智能应用与发展对策研究(BD17);内蒙古自然科学基金面上项目,面向蒙汉双语用户数字界面设计干预与评价方法研究(2021MS03019)。

摘　　要：艺术创作中人工智能技术越来越被接受和使用,而对人工智能艺术的艺术本质一直存在巨大争议。文章将人工智能参与的新媒介艺术进行分类,对比较有争议的计算艺术审美本质进行梳理,对人工智能艺术计算原理进行了剖析,探讨计算艺术审美本质是否存在,并对人工智能艺术产生的诸多问题进行辨析,提出艺术创作中的计算限度的创新观点。Artificial intelligence is gradually accepted and used in artistic creation,but there has always been a great controversy about the aesthetic essence of artificial intelligence art in the academic community.This paper classifies the controversial aesthetic essence of computing art through the new media art participated by artificial intelligence,analyses the computing principle of artificial intelligence art,and discusses whether the aesthetic essence of computing art exists.It also identifies many problems arising from artificial intelligence art and puts forward innovative viewpoint on calculation limit in artistic creation.

关 键 词：新媒介艺术 人工智能艺术 艺术审美 

分 类 号：J0[艺术—艺术理论]