多视角与持续性--立体主义中“同时性视像”艺术之美  

Multiple Perspectives and Persistence:The Artistic Beauty of"Simultaneity Vision"in Cubism

作　　者：谭晓雨 Tan Xiaoyu(School of Fine Arts,Central China Normal University,Wuhan 430079,China)

机构地区：[1]华中师范大学美术学院,武汉430079

出　　处：《艺术与设计（理论版）》2022年第1期143-145,共3页Art and Design

摘　　要：立体主义画家受塞尚、相对论"四维空间"的提出及20世纪科学技术等发展的影响,创立了一个自由的、移动的透视,将观察到物象的不同面重构于同一画面之中,通过多视角的形式在作品中表现出时间和空间的持续性,这种方法可称之为"同时性视像"。文章从立体主义的观察透视法及对时间和空间持续性的表现中论述这种创新与突破的成因与特点,并从中感受"同时性视像"的艺术之美。Cubism painters were influenced by Cezanne,the proposal of"four-dimensional space"of the theory of relativity and the development of science and technology in the 20^(th) century,and created a free and mobile perspective,reconstructing the different aspects of the observed object in the same picture,through The multi—perspective form shows the continuity of time and space in the work.This method can be called"Simultaneity vision".This article discusses the causes and characteristics of this innovation and breakthrough from the perspective of Cubism and the continuous performance of time and space,and to experience the artistic beauty of"Simultaneity vision".

关 键 词：立体主义 多点透视 时间持续性 同时性视像 

分 类 号：J0[艺术—艺术理论]