《悬崖之上》中多模态隐喻的建构  

Multimodal Metaphorical Construction in Cliff Walkers

作　　者：张屏[1] 席红梅[1] ZHANG Ping;XI Hongmei(School of Foreign Studies, Harbin Engineering University, Harbin 150001, China)

机构地区：[1]哈尔滨工程大学外语系,哈尔滨150001

出　　处：《长春大学学报》2022年第1期69-72,共4页Journal of Changchun University

基　　金：中央高校基本科研业务费专项资金项目(3072021CF1202)。

摘　　要：《悬崖之上》是张艺谋导演的以歌颂隐秘战线无名英雄为主题的谍战题材影片。影片充分发挥隐喻在电影创作中的作用,运用语言、文字、图像、声音、动作、实物等多模态共同参与建构隐喻,兼顾电影创作与观影者的体验。影片通过多模态隐喻厘清了线索、深化了主题、彰显了影片的艺术价值;同时,激发了观众的观影兴趣,满足了观众视听感官需求,引起观众思考和情感共鸣。Cliff Walkers directed by Zhang Yi-mou is a spy film,in which the unknown heroes in covert battle line are eulogized.In the film,multi-modes such as language,text,image,sound,action and object construct the metaphors together,and both film creation and viewers’experience are considered.By using the metaphors,the clue is clarified,the theme is deepened and the artistic value of the film is enhanced,and at the same time,audiences’interest in watching is stimulated,audiences’audio-visual sensory needs are met,and audiences’thinking and emotional resonance are aroused.

关 键 词：《悬崖之上》 多模态 隐喻 

分 类 号：J905[艺术—电影电视艺术]