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作 者:孙恒存[1] SUN Heng-cun(College of Arts&Journalism,Inner Mongolia University,Hohhot,Inner Mongolia 010021,China)
机构地区:[1]内蒙古大学文学与新闻传播学院,内蒙古呼和浩特010021
出 处:《河北民族师范学院学报》2022年第1期28-34,共7页Journal of Hebei Normal University For Nationalities
基 金:山东省社会科学规划研究项目优势学科项目“数字化审美与数字美学发展研究”(19BYSJ64);国家社科基金艺术学重点项目“网络文艺发展研究”(16AA002)。
摘 要:网络文艺已融入人们的日常生活里,成为新世纪大众文艺生活不容忽视的重要组成部分。文艺网站是网络文艺的蓄水池。传媒学视域中的文本理论坚持一个基本命题:文本是媒介的织体。该文本理论透过媒介的力量来观看文本的边界。国内文艺网站根据不同的标准可以划分出不同的文本类型,这标示了文艺网站的文艺类型、权限归属和规模布局。文艺网站的文本类型随着时代发展会做出相应调整和变革,在既有文本类型的巩固与瓦解的摇摆中推动文艺网站的多样化和多元化发展。Online literature and art have been integrated into people’s daily life and become an important part of the public’s literary life in the new century that cannot be ignored.Literary and art websites are the reservoir of online literature and art.The text theory in the field of media studies insists on a basic proposition:the text is the weaving body of the medium.This text theory views the boundaries of texts through the power of the medium.Domestic literary and art websites can be divided into different text types according to different criteria,which mark the literary and art types,authority attribution and scale layout of literary and art websites.The text types of literary websites will make corresponding adjustments and changes with the development of the times,and promote the diversification and pluralism of literary websites in the sway of consolidation and disintegration of established text types.
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