历史画的构思与叙事方式——从“上海解放组画”的探索谈大型历史画创作  

The Conception and Narrative Method of Historical Paintings:A Discussion on the Creation of Large-scale Historical Paintings from the Explo-ration of Historical Group Paintings of Shanghai’s Liberation

作　　者：胡冰 HU Bing

机构地区：[1]上海视觉艺术学院,上海201620

出　　处：《上海视觉》2021年第2期84-90,共7页Shanghai Vision

摘　　要：为纪念上海解放70周年和中国共产党成立100周年,我校历史画创作研究中心创作了“上海解放组画”。通过这组画创作过程中遇到的实际问题与收获体会,谈历史画及中国的大型革命历史题材创作的概念、特点,历史画创作的不同叙事方式、难点与艺术家基于对历史表现主题的真正情感与思考之上的主观介入之间的尺度把握。To commemorate the 70th anniversary of the liberation of Shanghai and the 100th anniversary of the founding of the Communist Party of China,the History Painting Creation and Research Center of our school created a group of paintings about the history of the liberation of Shanghai.In the article,we have talked about the concepts and characteristics of historical paintings and the creation of large-scale revolutionary historical themes in China,different narrative methods and difficulties of historical painting creation,based on practical problems we faced and experience we gained in the creation process.We conclude that proper balance should be achieved between the artist’s true feelings and emotions and subjective interpretation of the historical theme which goes beyond mere reflections.

关 键 词：历史画 革命历史题材 叙事方式 主观介入 

分 类 号：G63[文化科学—教育学]