汉语特性:80后诗歌声音书写及阐释路径的省视  

Chinese Characteristics:A Reflection on the VoiceWriting and Interpretation Path of Post-80s Poetry

作　　者：周俊锋[1] Zhou Junfeng(Modern Chinese Poetry Research Institute,Southwest University,Chongqing 400715)

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《长江大学学报（社会科学版）》2021年第6期118-124,共7页Journal of Yangtze University（Social Sciences Edition）

基　　金：重庆市社科规划项目“成渝地区现代新诗的声音景观与抒情传统研究”(2021NDQN87);中央高校基本科研业务费项目“汉语性与中国新诗的韵律节奏问题研究”(SWU2109511)。

摘　　要：当代诗歌特别是80后诗歌写作中,诗人的手艺与诗意的变形极大地彰显当代诗学技艺的繁复,以及现代新诗诞生以来语言自身的焦虑与历史意识的孱弱。确证、否定或是某种悬置等80后诗歌写作的声音景观传递出同时代人在处理当代历史或文化经验时的努力,而那些既已形成的有关当代诗歌确定性的知识、规则、谱系,无形中使诗歌写作聚焦问题以及展开自我辨识的能力变得愈加浮泛而犹疑。无论是拥抱底层与日常生活,抑或是精神向度的自我觉识,80后诗歌写作需要更进一步解放自身并且充满韧性,从诗歌语言的悖谬、双声、裂隙中走上前来,切实获具一种与传统和当下、与语言和个体真正展开精神对话和思想辨识的能力。In contemporary poetry,especially in the post-80s poetry writing,the deformation of the poets’skills and poetic flavor has greatly demonstrated the complexity of the skills of contemporary poetics,as well as the anxiety of language itself and the weakness of historical consciousness since the birth of modern new poetry.The soundscape of post-80s poetry writing,such as confirmation,negation or some suspension,conveys the efforts of contemporary people in dealing with contemporary history or cultural experience.The knowledge,rules and pedigrees that have already formed about the certainty of contemporary poetry,virtually make the focus of poetry writing and the ability to carry out self-identification more vague and hesitant.Whether embracing the bottom and daily life,or self-awareness of spiritual dimension,the post-80s poetry writing needs to further emancipate itself and be full of toughness.It also needs to step forward from the paradoxes,double voices and crevices of poetic language,and truly acquire the ability to truly engage in spiritual dialogue and ideological identification with tradition and the present,with language and individuals.

关 键 词：80后诗歌 声音书写 语言潜能 汉语特性 

分 类 号：I227[文学—中国文学]