当代动漫的后现代美学趋向  

Postmodern Trend of Contemporary Animation Aesthetics

作　　者：徐秀明 XU Xiu-ming(Institute of Arts Education,Hangzhou Normal University,Hangzhou 311121,China)

机构地区：[1]杭州师范大学艺术教育研究院,浙江杭州311121

出　　处：《美育学刊》2022年第1期37-42,共6页Journal of Aesthetic Education

基　　金：国家社会科学基金项目“‘文化研究’视野下的中国动漫”(09CZW062)的研究成果。

摘　　要：当代动漫是综合各门传统艺术而成的"第九艺术",其主要创新原动力不在资金、技术等外因,而是内涵意蕴多元互动时产生的内驱力。这与激进叛逆、兼容并蓄的后现代美学颇为相契。动漫艺术借鉴吸收后现代美学理论后,成为主流文化与前卫艺术的奇妙结合体,在世界观、人生观等方面都有相当的艺术独创性,而且擅长以戏谑口吻言说复杂纠结的社会现实与精神状况。时下许多锐意创新又能为主流社会所接受的动漫佳作,或多或少得益于此。Contemporary animation is the "ninth art" that integrates various traditional arts. Its main source of innovation is not external factors such as capital and technology, but the internal drive generated by multiple interactions of connotations and meanings. This is quite consistent with the radical rebellious and inclusive postmodern aesthetics. After drawing on post-modern aesthetic theory, animation art has become a wonderful combination of mainstream culture and avant-garde art. It has considerable artistic originality in world outlook, view of life and other aspects, and is good at joking about the complicated social reality and mental state. Nowadays, in view of this, many innovations are supposed to be accepted as excellent animation works by the mainstream society.

关 键 词：动漫美学 中国动漫 后现代 大众文化 

分 类 号：J01[艺术—艺术理论] G114[文化科学]