张若虚《春江花月夜》原貌探蠡  

Exploring the Original Appearance of Zhang Ruoxu’s“ Night with Flower and Moon of the Spring River”

作　　者：戚悦 Qi Yue

机构地区：[1]清华大学人文学院

出　　处：《励耘学刊》2021年第2期164-181,422,423,共20页

摘　　要：作为乐府旧题,《春江花月夜》的音乐特征是不容忽视的,从曲辞角度研究张若虚的《春江花月夜》乃是理解这一千古名篇的首要之务。对于在"重声不重辞"的原则下加工而成的一篇作品,首先需要考虑其成形的过程,并以此为基础来分析作品的内容、主旨及风格。从乐府歌辞角度考察,现存张若虚的《春江花月夜》带有明显的拼接痕迹。依据诗韵结构以及现有史料,并结合对诗意的理解和诗歌语言的分析,可以推断这首家喻户晓的唐诗名作很可能原本由两首诗组成;或者说,我们熟知的《春江花月夜》之中,包含了另一首诗作,即十二句的《秋月》。As an old yuefu title,“Night with Flower and Moon of the Spring River”has some important musical features.It is primary to consider this famous poem from the perspective of music and lyrics.When interpreting a poem made on the principle of“valuing the music rather than the lyrics”,we should take the process of its formation as a basis for understanding its content,theme and style.Examined from the perspective of yuefu lyrics,extant“Night with Flower and Moon of the Spring River”by Zhang Ruoxu seems to be a poem pieced together.According to the metrical structure and relevant materials,as well as the interpretation of the poetic meaning and the analysis of the poetic language,it can be inferred that this well-known poem is most likely consisted of two poems.In other words,“Night with Flower and Moon of the Spring River”contains another poem,the twelve-line poem titled“Autumn Moon”.

关 键 词：张若虚 《春江花月夜》 乐府 曲辞 《秋月》 

分 类 号：I207.22[文学—中国文学]