扬州清曲曲牌系统构成及衍化研究  

Research on the Composition and Evolution of Yangzhou Ditty Tune Name System

作　　者：谈欣[1] TAN Xin(Music School,Nanjing Normal University,Nanjing,Jiangsu 210097)

机构地区：[1]南京师范大学音乐学院,江苏南京210097

出　　处：《艺术百家》2021年第6期85-92,共8页Hundred Schools In Arts

基　　金：2017年度国家社会科学基金艺术学项目“明清时调音乐体系研究”(项目编号:17BD081)阶段性成果之一。

摘　　要：扬州清曲,牌子曲代表曲种,因其历史长远、流传广泛而闻名于世,又因存留近百支明清时期曲牌,常被誉为“明清俗曲”活化石。这些曲牌来源复杂,形态多样,变体繁复,从曲调系统内部分析,存在曲牌相互生成及关联的现象,通过整腔“静态结构”和核腔“动态结构”两种曲牌发展手法形成类型化群体;从曲调系统外延分析,存在各地曲牌相互吸纳交融的现象,通过“字腔”“过腔”等嬗变方式实现曲牌地方化的统一。由此得出明清俗曲曲调系统演变方式已与南北曲存在差异。Yangzhou Ditty, the representative of folk art music, is well-known for its long history and widespread. It is often known as the living fossil of "Ming and Qing folk songs" because of the existence of nearly 100 pieces of tunes in the Ming and Qing Dynasties. The sources of these tune names are complex, with various types and complex variants, analyze from the inside of the tune system, it will generate a phenomenon of mutual generation and correlation of tunes, forming a typified group through the two kinds of ditty development techniques, the "static structure" of the whole cavity and the "dynamic structure" of the nuclear cavity. From the analysis of the extension of the tune system, there is a phenomenon that the tunes of various places absorb and blend with each other, and the unity of the localization of tunes is realized through the transformation methods such as "ziqiang" and "guoqiang". It can be concluded that the evolution of the tune system of Ming and Qing tunes is different from that of Southern and Northern tunes.

关 键 词：明清俗曲 曲艺音乐 扬州清曲 曲牌 系统 

分 类 号：J60[艺术—音乐]