我国电影管理体制改革动力与路径分析--基于机构变迁的历史考察  

Reform Motivation and Path Analysis of China’s Film Administration System--A Historical Survey Based on Institutional Changes

作　　者：张苹秋 ZHANG Pingqiu(School of Communication,East China Normal University,Shanghai 200241,China)

机构地区：[1]华东师范大学传播学院,上海200241

出　　处：《长沙大学学报》2022年第1期24-29,共6页Journal of Changsha University

基　　金：国家社科基金一般项目“媒体融合背景下我国传统媒体的市场结构矛盾与供给侧改革研究”,编号:20BXW038。

摘　　要：电影管理体制作为意识形态与经验现实的集中体现,与电影生产之间存在极具张力的多面关系。我国电影管理体制从政企合一集中话语秩序的探索期,到国有制片厂蹒跚改革的转型期,再到市场与技术驱动明显、规范化发展的新时期,内在逻辑依照解放文化生产力、理顺行政与市场的关系展开。文章从历时与共时的角度,探究电影管理体制的改革主线与阶段存在的内涵,进而把握电影管理有效实现形式的内生动力。As a concentrated expression of ideology and empirical reality,the film administration has a very tense multi-faceted relationship with film industry.China’s film administration system has undergone several stages,from the exploratory period of the concentrated discourse order due to the integration of government and enterprise,to the transition period of the shambled reform of state-owned studios,and then to the new period of the standardized development driven by market and technology,with its intrinsic logic that liberate the productivity and keep balance of the relationship between administration and market.This article explores the tenet and connotation of the film administration reform from the diachronic and synchronic perspective,and then explores the endogenous power for the effective film administration.

关 键 词：电影管理 制片厂 市场化改革 国家电影局 

分 类 号：F713.82[经济管理—广告]