眺望的青春——蒋韵小说《你好,安娜》创作论  

Overlooking Youth:On the Creation of Jiang Yun’s Hello,Anna

作　　者：马桂君[1] MA Guijun(College of Arts,Shanxi Datong University,Datong,Shanxi 037009,China)

机构地区：[1]山西大同大学文学院,山西大同037009

出　　处：《吉林师范大学学报（人文社会科学版）》2022年第1期97-103,共7页Journal Of Jilin Normal University:Humanities & Social Science Edition

摘　　要：蒋韵的长篇小说《你好,安娜》通过诠释个体精神世界来追问现实,丰富了现实主义文本的表达空间,表现出独特的文字质感和精神力度。作者运用多元的创作形式,通过文体互渗拓展叙事空间;使用潜在文本形成深层结构,来象征、对照叙述对象的命运走向和心理状态。浪漫主义色彩和理想主义内核,通过形式和主题统一形成的文字风格和审美向度,经由叙事对象和主题理念的双重呈现,从而使现实的个体生命书写走向了浪漫传奇。Jiang Yun’s novel Hello, Anna explores reality by interpreting the individual spiritual world. It enriches the expression space of realistic text and shows unique character texture and spiritual strength. The author uses multiple creative forms. She expands the narrative space through stylistic infiltration and uses the potential text to form a deep structure to symbolize and compare the fate trend and psychological state of the narrative object. Romantic color and idealistic core, through the writing style and aesthetic dimension formed by the unity of form and theme, and the dual presentation of narrative object and theme idea, makes the realistic individual life writing move towards romance and legend.

关 键 词：形式 潜在文本 现实 浪漫 

分 类 号：I247[文学—中国文学]