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作 者:乔晓鹏 Qiao Xiaopeng
机构地区:[1]南京大学信息管理学院
出 处:《中国出版史研究》2022年第1期76-86,共11页Research on the History of Publishing in China
基 金:国家社科基金重大项目(21&ZD321)系列成果之一。
摘 要:晚清民国时期,女性阅读在空间、媒介、形式三个方面涌现出了新变化,并重构着女性阅读的秩序。女学的兴起让女性阅读第一次从家庭空间走向社会空间;画报以其媒介属性和社会关怀成为女性阅读的新知识媒介,通过“阅读”的形式连接女性与社会;妇女读书会塑造了一种阅读的共同形态,奠定了公共阅读的基础,从而提供了女性参与更大范围的社会活动的渠道。这一时期的女性阅读突破了原有家庭层面和国家层面的阅读秩序,开始寻求女性自身的解放,呈现出女性群体阅读的差异。同时,女学、画报、读书会,也呈现出女性阅读与政治、社会、文化的复杂关系。From the late Qing to the Republic of China period,women's reading saw new changes in three aspects:space,medium and form,reconstructing its order.The rise of women's studies guided women's reading out of families onto social space for the first time;pictorials which were a medium in nature and had social care bridged women with new knowledge and the society through reading;women's book clubs gave rise to a common form of reading and laid the foundation for public reading,thus providing a channel for women to participate in a wider range of social activities.Women broke the confinement of reading in the household and national spheres,and began to pursue liberation of themselves,displaying the differences in reading by women.Besides,women's studies,pictorials,and book clubs also showed the complex relationship between women's reading and politics,society,and culture.
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