媒介批评与当代文论体系的话语生产——兼及“强制阐释”媒介发生的可能性  

Media Criticism and the Discourse Production of Contemporary Literary System——The Possibility of “Imposed Interpretation” of Media

作　　者：张伟[1] Zhang Wei

机构地区：[1]广东外语外贸大学阐释学研究院,广州510420

出　　处：《探索与争鸣》2021年第12期130-138,180,F0003,共11页Exploration and Free Views

基　　金：中宣部宣传思想文化青年英才资助项目“当代视觉修辞的辞格谱系研究”。

摘　　要：作为技术媒介介入文学批评场域的形式表征,媒介批评的提出不仅是文学批评对"媒介文艺论"的回应与调适,更是非语言符号对文学批评语言专属地位的挑战。作为媒介时代兴起的文学批评样式,媒介批评形构了复合符号的批评文本形态及其集成式叙事策略,构建了媒介转化与批评实践集于一体的隐形批评结构,创造了集体协商的批评机制与公约性话语生成模式,同时也增强了感官审美体验在文学批评中的比重。媒介批评的现代发生既源于科技发展的文化供给,同时也离不开日常生活审美化与消费意识等语境参数的潜在规约,其作为文学批评范式的现代凸显为当下文论建设中的"强制阐释"论提供了新的议题,使得基于媒介层面考察强制阐释问题成为可能。As a formal representation of the intervention of technical media in the field of literary criticism, the introduction of media criticism is not only the response and adaptation of literary criticism to“ media literary theory”, but also the challenge of non-verbal symbols to the exclusive status of the language of literary criticism. As a style of literary criticism emerging in the media age, media criticism has shaped the form of critical text with composite symbols and its integrated narrative strategy, and built an invisible critical structure that integrates media transformation and critical practice. Also, it has created a collective negotiation mechanism of criticism and a conventional discourse generation model, at the same time, it has increased the proportion of sensory aesthetic experience in literary criticism.

关 键 词：媒介批评 技术媒介 文学阐释 文论体系 强制阐释 

分 类 号：I06[文学—文学理论]