《徒然草》的残缺美意识研究  

A Study of the Imperfect Beauty Consciousness in Tsurezuregusa

作　　者：林进[1] 李晖 LIN Jin;LI Hui(School of Foreign Languages,Changchun University of Technology,Changchun 132000,China)

机构地区：[1]长春工业大学外国语学院,吉林长春130012

出　　处：《佳木斯大学社会科学学报》2022年第1期109-111,共3页Journal of Social Science of Jiamusi University

摘　　要：《徒然草》创作于1332年至1392年间,是日本著名的三大随笔文学之一。作者吉田兼好博通诸学,见识明达,是日本镰仓末期及南北朝时期著名歌人和随笔作家。在这部作品中,他以丰富的感受性及敏锐的洞察力,凝练出对于自然、生活等世间诸相的认识及生活智慧。《徒然草》由243段生动有趣的短篇随笔构成,其核心理念是诸行无常的无常观思想,而在无常观思想的基础上又衍生出了残缺美的审美意识。所谓残缺,是指不完满、未完成以及未达极致的事物。当残缺的事物被赋予物哀、幽玄之美的情趣时,就诞生出残缺美的审美意识。以残缺美的视角来看待自然人生等一切事物,就能够发现生活中的美,内心会变得自在安宁,了悟人生的真谛。Tsurezuregusa was writen between 1332 and 1392. It is one of the three representative works of the zuihitsu genre. The author,Yoshida Kenkou,has a wide range of knowledge with unique understandings. He is a well-known author and Buddhist monk in Japan during the late Kamakura and Nanbokutyou period. Within the book,Kenko shows his points of view regarding the nature of things in life in an insightful manner. Tsurezuregusa consists of 243 lively and interesting passages. The core theme is the perishability of objects to be moving and the concept of impermanence,and the imperfect beauty consciousness based on the theme. The imperfections mean irregular and incomplete collections and works. When the imperfections are given the sorrow and mystery,the aesthetic consciousness arises. Viewing things in nature and life from the perspective of imperfect beauty,people will be peaceful and able to discover the beauty and true meaning of life.

关 键 词：残缺美 吉田兼好 《徒然草》 无常观 

分 类 号：I106.4[文学—世界文学]