论《扶桑》与《小姨多鹤》中异国生存的女性形象书写  

On the Portrayal of the Female Characters Living in Foreign Lands in Fusang and Aunty Duohe

作　　者：姚津津 YAO Jin-jin(School of Chinese Language and Literature,Kashi University,Kashi,Xinjiang 844000,China)

机构地区：[1]喀什大学文学院,新疆喀什844000

出　　处：《河北北方学院学报（社会科学版）》2021年第6期21-23,35,共4页Journal of Hebei North University：Social Science Edition

摘　　要：《扶桑》和《小姨多鹤》是严歌苓关注异国生存女性形象的两部作品,也是其自身真实情感与民族文化意识的投影。严歌苓赋予扶桑与多鹤相似的身份背景、时代环境与民族印迹,通过两人在异国生存的命运轨迹展现出不同民族文化的碰撞与交流,赞美了女性顽强的生命韧性。Yan Geling’s Fusang and Aunty Duohe are works depicting females living in foreign lands and reflecting her own feelings and national cultural consciousness.Fusang and Duohe bear the similar marks of identity background,of times,and the similar national marks.Their destiny of living in foreign lands reflects the clash and communication of different national cultures and the tenacity of life of females.

关 键 词：严歌苓 《扶桑》 《小姨多鹤》 异国生存 女性形象 

分 类 号：I207.42[文学—中国文学]