五山禅僧与虢国夫人形象的受容——以《虢国夫人夜游图》诗为例  

The Wushan Zen Monks and the Acceptance of the Image of Lady Guo-guo:Taking the poem’The Night Tour of Lady Guo-guo’as an example and the acceptance of the image of Lady Guo-guo by Japanese Poet-monks of the Five Mountain Temples

作　　者：姚维 Yao Wei(Student at Beijing Normal University,China)

机构地区：[1]北京师范大学文学院

出　　处：《日语学习与研究》2021年第6期104-111,共8页Journal of Japanese Language Study and Research

摘　　要：自唐宋至元明,虢国夫人形象经历了一个漫长的建构过程,并呈现于《虢国夫人夜游图》绘画和相关诗文中。这种建构过程也对历代诗人的虢国夫人认知产生了不同的影响。这些影响同样存在于五山文学中,并成为诗人创作同题作品的重要信息依据。这些信息通过中日之间的诗文书画交流而进入五山诗僧的视野中,并被有选择地采用、组合、发挥、变形。通过对以横川景三、江西龙派《虢国夫人夜游图》诗为代表的五山诗僧文学创作的考察,可以看到这一既参考同题画作,又吸收唐宋虢国夫人材料,并使诗画史三者保持一定距离的复杂过程。From the Tang and Song Dynasties to the Yuan and Ming Dynasties,the image of Lady Guo-guo has gone through a long process of construction,which is shown in the paintings and related poems of The Night Tour of Lady Guo-guo.The construction process also has had a different influence on the cognition of Lady Guo-guo by different poets.These influences also exist in Wushan literature,and became an important information basis for monks to create works.Through the exchange of poetry,calligraphy and painting between ancient China and Japan,these forms of information came into the vision of the Wushan monks and were selectively adopted,combined,developed and deformed.Through the investigation of the literary creation of Wushan monks represented by the works of Osen Keisan and Kosei Ryuha,we can see the complex process of referring to the paintings with the same title,absorbing the materials of Lady Guo-guo of Tang and Song Dynasties,and keeping a certain distance between the history of poetry and painting.

关 键 词：虢国夫人夜游图 五山文学 虢国夫人 受容 

分 类 号：I313.072[文学—其他各国文学]