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作 者:李怡璇 LI Yixuan(Department of Journalism,Yunnan University,Kunming,Yunnan,China 650504)
出 处:《昆明学院学报》2022年第1期119-126,共8页Journal of Kunming University
摘 要:现代性弊端在造成自然生态危机的同时也引发了人类精神生态的错格与失衡,而进入到感性至上的消费社会,美和艺术本身沦为了审美资本的合法性注脚,资本话语形成了对人类的新一轮褫夺与处置。生态美学以一种生态整体主义的立场,提出通由对自然进行一定程度的"复魅"重新勾连起大地、艺术与人之间的审美想象,唤起人们寓于其生态审美本性中的"诗思",在与自我、社会、自然的间性互动中体悟一种存在论维度的救赎可能。The disadvantages of modernity not only cause the natural ecological crisis, but also lead to the wrong grid and imbalance of human spiritual ecology. Since the industrial society, people have realized a material Carnival at the cost of the exile of instrumental rationality to beauty. In the consumer society of perceptual supremacy, beauty and art itself become the footnote of the legitimacy of aesthetic capital, and capital discourse forms a new round of deprivation and disposal of mankind. From the standpoint of an ecological holism, ecological aesthetics puts forward that through a certain degree of "re-enchanting" of nature, it can reconnect the aesthetic imagination between the earth, art and people, arouse people′s "poetic thinking" in their ecological aesthetic nature, and realize the redemption possibility of an ontological aesthetic dimension in the interaction with self, society and nature.
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