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作 者:李旭斌 LI Xu-bin(School of Chinese Language and Literature,Ocean University of China,Qingdao 266100,China)
机构地区:[1]中国海洋大学文学与新闻传播学院,青岛266100
出 处:《山东青年政治学院学报》2022年第1期102-108,共7页Journal of Shandong Youth University of Political Science
摘 要:莫言曾多次谈到鲁迅的作品对其创作产生的影响,其中,又以《铸剑》最具代表性。鲁迅对"铸剑"的过程只是"轻描淡写",而到了莫言的小说中,"打铁"却成为他挥之不去的创作情结。特别是莫言在获得"诺奖"五年后创作的《左镰》中,再次凸显了鲁迅复仇精神的印记。"铸剑"和"打铁"是复仇叙事展开的铺垫,是人物命运从"旧我"走向"新我"的隐喻,也是革命文化"落幕"之时两位作家对历史、生命和人性的反思与救赎。通过对两个文本的创作过程和具体内容进行对比分析,考察复仇叙事和革命文化隐含的精神指向;从复仇起始到仇恨消弭,《铸剑》与《左镰》的"对话",不仅是鲁迅的复仇精神在莫言作品中的延异,更是探寻现代文学传统在当代传承与发展的线索及其在现实语境中的重要意义。Mo Yan has repeatedly talked about the influence of Lu Xun’s works on his creation,among which Casting Sword is the most representative.While Lu Xun only "glosses over" the process of "Casting a Sword," in Mo Yan’s novels,"striking iron" becomes his lingering creative attachment.In particular,Mo Yan’s Left Sickle,written five years after he won the Nobel Prize,once again highlights the imprint of Lu Xun’s spirit of revenge.The "forging of the sword" and the "beating of iron" are the prelude to the unfolding of the revenge narrative,the metaphor for the characters’ destiny from the "old self" to the "new self",and the metaphor for the "new self".It is also a metaphor for the fate of the characters from the "old self" to the "new self",and a reflection and redemption of history,life and humanity by the two writers at the time of the "passing" of revolutionary culture.Through a comparative analysis of the creative process and specific contents of the two texts,the spiritual direction implied by the revenge narrative and revolutionary culture is examined;from the beginning of revenge to the disappearance of hatred,the "dialogue" between Casting Sword and Left Sickle is not only the extension of Lu Xun’s spirit of revenge in Mo Yan’s works,but also a search for the threads of the modern literary tradition’s inheritance and development in contemporary times and its development in the real context.
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