论中国古代艺术时空之“光景”意识  

On the“Guangjing”Consciousness of Time and Space in Ancient Chinese Art

作　　者：王诗雨 Wang Shiyu(School of Liberal Arts,Nantong University,Nantong 226019,Jiangsu,China)

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《学术探索》2022年第2期116-124,共9页Academic Exploration

基　　金：教育部人文社科重点研究基地重大项目(15JJD750005)。

摘　　要：“光景”意识是中国古代时空一体观的集中表现。从自然形态到社会意蕴再到艺术呈现,“光景”作为一种典型的时空结构形态,贯穿于中国古代对自然时空、社会时空、艺术时空等不同层面的体认与实践之中,是中国古代艺术时空观念缘起与发生的深层意识。本文拟从外在形态层面(“数”)、发展动态层面(“易”)、内在本质层面(“空”)三个层面,对中国古代艺术时空的“光景”意识进行更为深入的哲学探讨,以便更好地把握中国古代艺术时空观及其结构创造。首先,从“三光”“五方”“四时”说起,揭示“光景”意识的外在形态;其次,聚焦“大化流行,生生不息”之生命气象,借此审视“光景”意识的动态发展;最后,通过分析“有”与“无”的辩证统一,探究“光景”意识的内在本质。“Guangjing”consciousness is the concentrated expression of the unified view of time and space.As a typical form of time-space structure,it runs through the perception and practice of different levels of natural time-space,social time-space,and artistic time-space from natural forms to social connotations to artistic presentations in ancient China.It is the deep consciousness of the origin and occurrence of the ancient artistic time and space concept.This article intends to conduct an in-depth analysis of the consciousness of“Guangjing”in the concept of ancient Chinese space-time structure from three levels:the external form(“Shu”),the developments(“Yi”),and the inner essence(“Kong”).Firstly,starting from the“three Guangs”,“five elements”and“four Shis”,it reveals the external form of the consciousness of“Guangjing”.Secondly,focusing on the life atmosphere of the continual constant change and growth of the universe,it examines the dynamic development of the concept.Finally,through the analysis of the dialectical unity of“You”and“Wu”,it explores the inner essence of the consciousness.

关 键 词：艺术时空 “光景”意识 “数” “易” “空” 

分 类 号：J0-02[艺术—艺术理论]