徽州纸马的地域特征与艺术要素研究  

Study on Regional Characteristics and Artistic Elements of Huizhou Paper Gods

作　　者：万惠玲[1] Wan Huiling(School of Art and Design,Bengbu College,Anhui,233000)

机构地区：[1]蚌埠学院艺术设计学院,安徽233000

出　　处：《民族艺术研究》2022年第1期92-100,共9页Ethnic Art Studies

基　　金：2018年安徽省哲学社会科学规划项目“安徽民间木刻纸马图式遗存的文化价值研究”(项目批准号:AHSKY2018D82)的阶段性研究成果。

摘　　要：徽州纸马类属中国民俗版画艺术,起始于南宋,孕育成长在徽州独特的自然地理环境与社会人文环境之中,具有多样性、地域性和独特性特征,可视为徽州民间美术中的艺术奇花。徽州纸马的艺术要素具有层次井然、图文有致、多类统一、俗极致雅的基本特征,其产生与发展,与其蛮越遗风、儒质兼备的地域文化环境密切关联,徽州纸马集纳了多元文化,并有着自身特有的文化理解与艺术审美,是耐人寻味的艺术情趣与生活美德的表现。Huizhou paper gods is a Chinese folk printmaking art, which originated in the Southern Song Dynasty and grew up in the unique natural geographical and social and cultural environment of Huizhou. Its art is diverse, regional and unique, and it can be regarded as a special flower in the folk art of Huizhou. The artistic elements of Huizhou paper gods has several features: the image is multiple layered, the image and text are well-arranged, diverse contents are unified, and vulgar and elegant contents are well expressed. The basic characteristics of its generation and development is closely related to the barbarous Yue culture and elegant Confucius cultural environment. Huizhou paper gods concern multiple cultures and it has its unique cultural understanding and artistic aesthetics, which make it an expression of intriguing art interests and livelihood virtues.

关 键 词：徽州纸马 地域特征 艺术要素 生成影响 

分 类 号：J0-05[艺术—艺术理论]