由必然性到本体——论杜夫海纳的自然美建构  

From Necessity to Ontology——On Dufrenne’s Construction of Natural Beauty

作　　者：周泽东[1] ZHOU Zedong(College of Liberal Arts,Hunan Normal University,Changsha,Hunan 410081)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《中国文学研究》2022年第1期20-26,共7页Research of Chinese Literature

基　　金：国家社会科学基金“西方自然美理论重建的逻辑与历史研究”(15BZW017)。

摘　　要：真正自然美的建构,需摆脱二元对立的哲学传统。杜夫海纳的知觉意向性理论旨在克服和超越二元对立传统,从而为自然美的出场提供了可能。他的自然美思想主要表现为两个层次:一是早期的现象学阶段,自然美即对必然性的表现;二是后期的本体论阶段,自然是隐含在人与世界之下的最终生成力——世界的根基和本体。自然作为本体本身就是美的根源,但它又不能自我呈现和自我言说,常常通过艺术表现和达成。自然美最终异化为艺术美,杜夫海纳的自然美建构也具有一定的观念性和神秘性。The construction of real natural beauty needs to get rid of the philosophical tradition of binary opposition. Dufrenne’s theory of perceptual intentionality aims to overcome and transcend the tradition of binary opposition,thus providing the possibility for the appearance of real natural beauty. His thought of natural beauty is mainly manifested at two levels:one is the early stage of phenomenology when natural beauty is the expression of necessity;the second is the ontological stage of the later period. Nature,as the ontology of the world,is the root of beauty.However,it cannot present and speak by itself. It is often achieved through artistic expression. Natural beauty is transformed into artistic beauty,and the construction of Dufrenne’s natural beauty is also conceptualized and mysterious to some extent.

关 键 词：自然美 二元对立 本体 意向性 

分 类 号：I01[文学—文学理论]