《有所思》与《上邪》两首诗的互文性解读  

Interpretation of Intertextuality about “Yousuosi” and “Shangye”

作　　者：杜自波 DU Zibo(Literature and Communication School of Sichuan University of Arts and Science,Dazhou Sichuan 635000,China)

机构地区：[1]四川文理学院文学与传播学院,四川达州635000

出　　处：《四川文理学院学报》2022年第1期97-101,共5页Sichuan University of Arts and Science Journal

基　　金：四川省教育厅人文社会科学研究课题(14SA0130)。

摘　　要：关于汉乐府《汉铙歌十八曲》中的《有所思》与《上邪》的关联性研究,以庄述祖和闻一多为主要代表。前者认为这两首诗是"男女相谓之辞",后者认为这两首诗"各篇独立"。但就这两首诗的本事、结构、情感而论,可以发现它们之间的互文性逻辑(文本间性逻辑):第一,《有所思》与《上邪》在本事上互相补充,以构建起"层类型发展"的完整本事;第二,《有所思》与《上邪》在结构上首尾衔接,以形成密合无间的文本故事;第三,《有所思》与《上邪》在情感上前后呼应,以形成连绵接续的情感场域。因此,这两首诗实属一篇,是无名氏代女之言。后文本是对前文本的镶嵌与转化,是集体回忆的延续以及诗性还原。Among the researchers of relevance-based study on the relationship between "Yousuosi" and "Shangye" in the eighteen poems of Rao Poems Collection in Han Dynasty, Zhuang Shuzu and Wen Yiduo are the main representative. The former believes that these two poems are "words of men and women", the latter believes that the two poems are "independent". But in terms of the original story background, structure and emotion of the two poems, we can find the intertextuality logic between them: First, "Yousuosi" and "Shangye" complement each other in the original story background, to build a complete story background of "layer type development";second, "Yousuosi" and "Shangye" are connected from beginning to end in structure to form a close text story;third, "Yousuosi" and "Shangye" echo back and forth in emotion to form a continuous emotional field. Therefore, these two poems are actually one, which are the words of anonymous woman. The latter text is the mosaic and transformation of the former text, the continuation of collective memory and poetic restoration.

关 键 词：汉乐府 《有所思》 《上邪》 互文性 

分 类 号：I207.22[文学—中国文学]