论庄子思想的三个层次:从哲学认知、艺术重塑到空净境界  

On the Three Levels of Zhuangzi’s Thought:From Philosophical Cognition,Artistic Reconstruction to Empty and Pure State

作　　者：张景[1] 张海英[2] ZHANG Jing;ZHANG Haiying(Institute of Philosophical Paradigms,Jiangsu Normal University,Xuzhou,Jiangsu 221116;Yuelu Academy,Hunan University,Changsha,Hunan 410082,China)

机构地区：[1]江苏师范大学哲学范式研究院,江苏徐州221116 [2]湖南大学岳麓书院,湖南长沙410082

出　　处：《江西师范大学学报（哲学社会科学版）》2021年第5期61-68,共8页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金重大项目“中国古代礼学文献整理与研究”(编号:13&ZD058);教育部“高校示范马克思主义学院和优秀教学科研团队建设项目”(编号:18JDSZK026)。

摘　　要：庄子思想是由三个层次综合组成的一个复杂体系,第一层次也即基础层次是他对客体的哲学认知;因为哲学认知带给庄子的多是烦恼,于是他对自己的哲学认知进行重新选择、组合,从而进入能够为自己带来愉悦的第二层次——哲学艺术重塑层次;但庄子并未停留在哲学艺术重塑层面,他通过“无无”理论,对哲学认知和哲学艺术重塑进行双重否定,让自己的思想进入最高的第三层次——彻底的空净境界。理清庄子思想三个层次的内涵与差异,不仅有利于正确把握庄子思想,对今天的现实生活也具有极大的借鉴意义。Zhuangzi’s thought is a complex system composed of three levels.The first level is his philosophical cognition of the object.Because the philosophical cognition brings Zhuangzi much trouble,he chooses and combines his philosophical cognition again,thus entering the second level that can bring him pleasure——the philosophical art reconstruction level.However,Zhuangzi does not stay at the level of reconstructing philosophy and art.He negates completely the philosophical cognition and the reconstructing of philosophy and art through the theory of“Wu-wu”,allowing his thoughts to enter the highest third level——the completely empty and pure state.Clarifying the connotation and differences of the three levels of Zhuangzi’s thought is not only conducive to correctly grasping Zhuangzi’s thought,but also of great reference significance for today’s real life.

关 键 词：庄子 哲学认知 哲学艺术重塑 空净境界 

分 类 号：B223.5[哲学宗教—中国哲学]