髡残书画变形与禅宗思想  

The Variation in Works of Art by Kun Can and the Zen Buddhism

作　　者：沈名杰[1] Shen Mingjie

机构地区：[1]湖南女子学院

出　　处：《美术》2022年第2期116-119,共4页Art Magazine

摘　　要：本文通过阐述禅宗美学的“悟”、“空”、“无常”思想对于髡残书画艺术风格形成的影响,说明其书画之变形美和禅宗思想的内在关联。同时,通过分析髡残书画笔墨的特点,进一步挖掘其蕴藏的禅宗思想内涵,文章指出,髡残借助书画的变形、布局、章法,通过笔墨语言传达生命的律动,以书画的笔墨形态描写画家心中对于自然生命形态的领悟,实现自然造化和心灵体悟的统一。Through elaborating the influence of the ideas of“awakening”,“emptiness”and“transiency”in Zen aesthetics on Kun Can’s art style,this article examines the intrinsic relations between the beauty of variation in his works and Zen Buddhism.In addition,the article analyzes Kun Can’s art features to go deep into the Zen connotations within.The author believes that Kun Can expressed the rhythm of life and depicted his comprehension of natural forms of life in the form of Chinese paintings and calligraphies with the help of variation,layouts and structures,and thus achieved the unification of nature and soul.

关 键 词：髡残 变形美 书画 禅宗 

分 类 号：J205[艺术—美术]