论井上厦《上海月亮》中鲁迅的“病”与“罪”  

On Lu Xun s“Disease”and“Sin”in Hisashi Inoue's Shanghai Moon

作　　者：付用现[1] 赵逸晨 Fu Yongxian;Zhao Yichen

机构地区：[1]常州大学周有光文学院 [2]山东省作家协会文学创作室

出　　处：《常州大学学报（社会科学版）》2022年第1期98-105,共8页Journal of Changzhou University:Social Science Edition

基　　金：国家社会科学基金一般项目“当代中国小说残疾书写的叙事伦理研究”(17BZW162)

摘　　要：井上厦在《上海月亮》中将鲁迅塑造为一个“病者”与“赎罪者”的形象,这与鲁迅在中国现代文学史上作为立场坚定的革命者、毫不留情的批判者的形象表征大相径庭。这并非井上厦对鲁迅的有意贬低与矮化,而是独辟蹊径,以灵肉二分法,从疾病隐喻的视角,将鲁迅一直以来的内在矛盾与自我质疑做了具象化呈现,从而对鲁迅后期的思想进路做了清晰勾画。井上厦敏锐而深刻地捕捉到了“疾病”的时代内涵对于中国近现代作家文学创作的特殊意义,并以鲁迅为主人公、以评传剧为主要形式对此做了个性化的解读与阐释。Hisashi Inoue portrayed Lu Xun as a“sick”and“atoner”in Shanghai Moon,which is very different from Lu Xun's image representation as a firm revolutionary and ruthless critic in the history of modern Chinese literature.This is not the intentional devaluation and belittlement of Lu Xun by Hisashi Inoue.It is a unique way of soul-flesh dichotomy and from the perspective of disease metaphor,it concretely presents Lu Xun's continuous internal contradiction and self-doubt,so as to clearly outline Lu Xun's later ideological approach.Hisashi Inoue has keenly and profoundly captured the special significance of the connotation of the times of“disease”for the literary creation of Chinese modern writers,and made a personalized interpretation of Lu Xun as the protagonist and critical biography drama as the main form.

关 键 词：《上海月亮》 鲁迅 灵肉二分法 疾病书写 隐喻 

分 类 号：I206.7[文学—中国文学]