从社区走向世界:《世界博览会》中的都市空间与共同体意识  

From Community to the World:Urban Space and Community Consciousness in World's Fair

作　　者：刘英[1] 石雨晨 LIU Ying;SHI Yu-chen(College of Foreign Languages,Nankai University,Tianjin 300070,China)

机构地区：[1]南开大学外国语学院,天津300070

出　　处：《安徽师范大学学报（社会科学版）》2022年第2期24-29,共6页Journal of Anhui Normal University(Hum.&Soc.Sci.)

基　　金：国家社会科学基金重大项目“美国文学地理的文史考证与学科建构”(16ZDA197),天津市研究生科研创新项目(2019YJSB039)。

摘　　要：多克托罗的小说《世界博览会》呈现了两种截然相反的地理空间:纽约犹太社区的封闭空间和世界博览会的流动空间。《世界博览会》通过描述主人公所经历的不同空间体验及其对社会关系的认知转变,展示主人公从狭隘的族裔共同体意识走向人类命运共同体意识的成长轨迹。将多克托罗的《世界博览会》与本雅明1939年的《巴黎,19世纪的首都》并置阅读可以发现,后者通过聚焦世界博览会和巴黎拱廊街对市场资本主义文化逻辑进行认知图绘,而前者绘制《世界博览会》情感地图的动力则是晚期资本主义的时空巨变。1985年的多克托罗通过文学“后视镜”回望1939年的世界博览会,表达了对狭隘民族主义思维的反思与超越,对人类共同未来命运的关切与构想。E.L.Doctorow's novel World's Fair depicts two different spaces:the exclusive space represented by the Jewish community in New York and the mobile space represented by the World's Fair.By describing how the protagonist experiences the different spaces and how his cognition of social relations transforms,World's Fair shows the protagonist's transformation of community consciousness from aesthetic community to the community of common destiny for all mankind.By juxtaposing and comparing Walter Benjamin's Paris,Capital of the Nineteenth Century(1939)and Doctorow's novel World's Fair,we can find that the former was a cognitive mapping of the cultural logic of market capitalism,but what motivates Doctorow to draw an emotional mapping in World's Fair was the spatial changes of late capitalism.By looking back at the 1939 World's Fair through a literary"rearview mirror"in 1985,Doctorow expressed rethinking and transcendence of the narrow nationalism,and the concern and imagination of the future destiny of human beings.

关 键 词：E.L.多克托罗 《世界博览会》 都市空间 共同体意识 认知图绘 

分 类 号：I106[文学—世界文学]