辽金元织绣品中春水秋山纹的艺术表征与意蕴解读  

Artistic representation and implication interpretation of Chunshui and Qiushan patternsin textiles during the Liao,Jin and Yuan Dynasties

作　　者：王韦尧 杨宏珊 于毅 张毅 WANG Weiyao;YANG Hongshan;YU Yi;ZHANG Yi(School of Design,Jiangnan University,Wuxi 214122,China;CNTAC United Testing Services,Beijing 100025,China)

机构地区：[1]江南大学设计学院,江苏无锡214122 [2]中国纺织工业联合会检测中心,北京100025

出　　处：《丝绸》2022年第3期124-132,共9页Journal of Silk

基　　金：江苏省社会科学基金立项一般项目(19WMB040);中国非物质文化遗产传承人群研修研习培训计划项目(文非遗发〔2017〕2号);教育部人文社会科学研究一般项目(21YJA760096)。

摘　　要：春水秋山纹自辽代以来,便是中国装饰纹样中极富民族特色的传统纹样之一,是北方游牧民族对其狩猎生活的艺术创作产物。本文以辽金元时期织绣品中的春水秋山纹为研究对象,依托实物样本图片,结合相应文献资料,厘清春水秋山纹概念,对织绣品中春水秋山纹的题材类型、造型手法和构图方式进行整理和总结,并进一步结合实例归纳总结出春水秋山纹的艺术特征与文化意蕴。研究表明,织绣品中春水秋山纹民族风格鲜明,其纹样的艺术表征呈现出“狩猎之景”的题材选择、“以情写景”的表现手法和“整体统一”的构图形式,展现了游牧民族浓郁丰富的北国风情、别具一格的游猎风尚及各民族文化间交互融合的艺术魅力。本文研究成果有助于为深入研究民族艺术文化价值提供一定的借鉴和途径,为现代创新设计提供相应的纹样素材和风格选择。Chinese traditional patterns are an important manifestation form of Chinese traditional art which not only has a unique artistic style but also reflects the changes and development of our history,embodying the cultural characteristics of different periods.Since the Liao Dynasty,the Chunshui and Qiushan patterns have been one of the traditional patterns with rich ethnic characteristics in Chinese decorative patterns,as well as the artistic creation of the northern nomads in their hunting life.At present,there are few studies on the Chunshui and Qiushan pattern,and the relevant literature has only briefly elaborated the shape and structure of Chunshui and Qiushan patterns in the weaving and embroidery,lacking systematic arrangement and cultural connotation research on the patterns.An in-depth study of the patterns will help us better understand the history of the times and the wisdom of the people of the times,so as to help us further appreciate the national spirit and national aesthetics.It will provide corresponding theoretical references for subsequent research on the Chunshui and Qiushan patterns in textiles of the Liao,Jin and Yuan Dynasties.This paper takes the Chunshui and Qiushan patterns in textiles of Liao,Jin,and Yuan Dynasties as the research object and conducts analysis based on the physical sample pictures in combination with corresponding literature.First of all,the origin and concept of the Chunshui and Qiushan patterns are clarified.And then this paper sorts out and summarizes the subject types,modeling techniques and composition methods of the Chunshui and Qiushan patterns in the weaving embroidery.Finally,the artistic characteristics of the pattern are summarized combined with practical examples.In addition,the cultural connotation contained in the Chunshui and Qiushan patterns is summarized from the perspective of the background of the times and the aesthetics of folk customs.Research shows that:1)the Chunshui and Qiushan patterns originated from the"Nabo(temporary camps for the emperors)"system

关 键 词：春水秋山纹 辽金元时期 织绣品 艺术表征 文化内涵 意蕴解读 

分 类 号：TS941.11[轻工技术与工程—服装设计与工程] J523.1[艺术—艺术设计]